I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
I wrote...
Singing the Goddess into Place: Locality, Myth, and Social Change in Chamundi of the Hill, a Kannada Folk Ballad
This is my favorite book on Indian/Hindu goddesses. Even after all these years, I believe it to be the erudite and accessible book that portrays the complexity of goddesses and their relationships with devotees. Each time I re-read the book, I glean additional insights into India, Hinduism, and the ways that the sacred feminine shapes the lives of people in the Northeast region of India.
The worship of Devi (the Goddess) is one of the most vigorous and visible religious phenomena in northwest India today. This study uses interviews, participant observations, and textual analysis to explore the nature of the Goddess and her devotees' experience of her.
This book served as my entry point to Indian goddess traditions. It examines a millennia-old tradition alongside the modern concept of feminism. What emerges is a nuanced and complicated set of essays that challenges my understanding of goddesses and their relation to women and men. At the end of the day, I walk away with a greater appreciation for both goddesses and feminism.
In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address…
This book is a riveting exploration of the major goddess festival in India, Navaratri, and a follow-up volume of the popular Nine Nights of the Goddess.
I love this book because it dives into the regional diversity of the festival, taking me on a journey into the many ways that the goddess is celebrated throughout India and into the lives of her devotees. What I find so mesmerizing about Nine Nights of Power is the balance between breadth and depth that gives me a flavor of the diversity of the traditions with deep dives into the individual case studies.
The autumnal Navaratri festival—also called Durga Puja, Dassehra, or Dasain—is the most important Hindu festival in South Asia and wherever Hindus settle. A nine-night-long celebration in honor of the goddess Durga, it ends on the tenth day with a celebration called "the victorious tenth" (vijayadasami). The rituals that take place in domestic, royal, and public spaces are closely connected with one's station in life and dependent on social status, economic class, caste, and gender issues. Exploring different aspects of the festival as celebrated in diverse regions of South Asia and in the South Asian diaspora, this book addresses the following…
This book takes an interesting approach to regional goddesses in India by looking at the seeds of their cults and how they grow and flower into powerful traditions in lived and literary traditions. I particularly love this approach because it not only spans the different regions of India, but it also spans the scope of time connecting ancient and medieval traditions with pan-Indian and local understandings of the goddess.
Imagining the divine as female is rare-even controversial-in most religions. Hinduism, by contrast, preserves a rich and continuous tradition of goddess worship. A Garland of Forgotten Goddesses conveys the diversity of this tradition by bringing together a fresh array of captivating and largely overlooked Hindu goddess tales from different regions. As the first such anthology of goddess narratives in translation, this collection highlights a range of sources from ancient myths to modern lore. The goddesses featured here battle demons, perform miracles, and grant rare Tantric visions to their devotees. Each translation is paired with a short essay that explains the…
This book is not only a deep scholarly engagement with the world of art collection and Hindu goddesses, but it also reads like a mystery novel. Kaimal took me on a journey from India, the home of the images/works of art under discussion, through their disparate journeys in the shadowy world of international art collecting and sales. It made me understand how the modern museum is stocked with images taken from active sites of religious practice.
Scattered Goddesses: Travels with the Yoginis is a book about the lost home, the new homes, and the journeys in between of nineteen sculptures that now reside in at least twelve separate museums across North America, Western Europe, and South India. After piecing together what these goddesses and their former companions might have meant when they were together in tenth-century South India, Kaimal traces them into the hands of private collectors and public museums as these objects became more thoroughly separated from each other with each transaction. In the process of export and purchase, and in the hostile as well…
My book invites you to explore the enchanting world of Chamundi of the Hill, a vibrant collection of songs that bring the gods and goddesses of South India to life. These ballads transform local space into a sacred landscape, where deities walk among their devotees and connect the region through networks of devotion and pilgrimage.
I offer the first English translation of these songs, revealing the untold folk perspectives that shape the foundational myths of Mysore. These narratives don’t just recount history—they challenge social norms around caste and religious practices. By immersing you in this world, my book shows how communities create meaning through their relationship with the landscape they inhabit.
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories often of the “Average Joe.”
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on any other single day of the war.
The narrative of No Average Day proceeds hour by hour and incident by incident while focusing its attention on ordinary individuals—clerks, radio operators, cooks, sailors, machinist mates, riflemen, and pilots and their air crews. All were men who chose to serve their country and soon found themselves in a terrifying and otherworldly place.
No Average Day reveals the vastness of the war as it reaches past the beaches in…
October 24, 1944, is not a day of national remembrance. Yet, more Americans serving in World War II perished on that day than on December 7, 1941, when the Japanese attacked Pearl Harbor, or on June 6, 1944, when the Allies stormed the beaches of Normandy, or on any other single day of the war. In its telling of the events of October 24, No Average Day proceeds hour by hour and incident by incident. The book begins with Army Private First-Class Paul Miller's pre-dawn demise in the Sendai #6B Japanese prisoner of war camp. It concludes with the death…
